Biblio

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Serra, X. (2007).  The Origins of DAFx and its Future within the Sound and Music Computing Field. International Conference on Digital Audio Effects. Abstract
Serra, X. (2012).  Opportunities for a Cultural Specific Approach in the Computational Description of Music. 2nd CompMusic Workshop. Abstract
application/pdf icon1-Xavier-Serra-2nd-CompMusic-Workshop-2012.pdf
Celma, Ò., & Mieza E. (2004).  An Opera Information System Based on MPEG-7. 5th International Conference on Music Information Retrieval (ISMIR). Abstract
Gouyon, F., Wack N., & Dixon S. (2004).  An open source tool for semi-automatic rhythmic annotation. Abstract
Batlle, E., Guaus E., & Masip J. (2003).  Open Position Multilingual Orchestra Conductor. Lifetime Opportunity.. 26th. annual international ACM SIGIR conference. Abstract
Janer, J., Kersten S., Schirosa M., & Roma G. (2011).  An online platform for interactive soundscapes with user-contributed content. AES 41st International Conference on Audio for Games. Abstract
Vinyes, M. (2006).  On time localization of sinusoids from the DFT of their sum.
Gouyon, F., Pachet F., & Delerue O. (2000).  On the use of zero-crossing rate for an application of classification of percussive sounds. Abstract
Cano, P., Kaltenbrunner M., Gouyon F., & Batlle E. (2002).  On the use of Fastmap for audio information retrieval and browsing. Abstract
Holzapfel, A., Davies M. E. P., Zapata J., Oliveira J., & Gouyon F. (2012).  On the automatic identification of difficult examples for beat tracking: towards building new evaluation datasets. The 37th International Conference on Acoustics, Speech, and Signal Processing (ICASSP). 89-92. Abstract
application/pdf iconHolzapfel-icassp.pdf
Jordà, S. (2008).  On Stage: the Reactable and other Musical Tangibles go Real. International Journal of Arts and Technology. 1(3/4), 268-287. Abstract
Röbel, A., Villavicencio F., & Rodet X. (2007).  On Cepstral and All-Pole Based Spectral Envelope Modeling with Unknown Model Order. Pattern Recognition Letters. 28(11), 1343-1350. Abstract
Normann, I., Purwins H., & Obermayer K. (2001).  Oktavambiguität als Konkurrenz zwischen Tonhöhe und Klangfarbe. DAGA. Abstract
Amatriain, X. (2005).  An Object-Oriented Metamodel for Digital Signal Processing with a focus on Audio and Music.
Estapé, O. (2008).  Object Parameter Extraction for Control in Vision-Based Tabletop Systems. Abstract
Kaltenbrunner, M., O'Modhrain S., & Costanza E. (2004).  Object Design Considerations for Tangible Musical Interfaces. Abstract
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