Biblio

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2000
Gouyon, F., Pachet F., & Delerue O. (2000).  On the use of zero-crossing rate for an application of classification of percussive sounds. Abstract
2001
Normann, I., Purwins H., & Obermayer K. (2001).  Oktavambiguität als Konkurrenz zwischen Tonhöhe und Klangfarbe. DAGA. Abstract
2002
Cano, P., Kaltenbrunner M., Gouyon F., & Batlle E. (2002).  On the use of Fastmap for audio information retrieval and browsing. Abstract
2003
Batlle, E., Guaus E., & Masip J. (2003).  Open Position Multilingual Orchestra Conductor. Lifetime Opportunity.. 26th. annual international ACM SIGIR conference. Abstract
2004
Kaltenbrunner, M., O'Modhrain S., & Costanza E. (2004).  Object Design Considerations for Tangible Musical Interfaces. Abstract
Gouyon, F., Wack N., & Dixon S. (2004).  An open source tool for semi-automatic rhythmic annotation. Abstract
Celma, Ò., & Mieza E. (2004).  An Opera Information System Based on MPEG-7. 5th International Conference on Music Information Retrieval (ISMIR). Abstract
2005
Amatriain, X. (2005).  An Object-Oriented Metamodel for Digital Signal Processing with a focus on Audio and Music. Department of Information and Communication Technologies. Abstract
2006
Vinyes, M. (2006).  On time localization of sinusoids from the DFT of their sum.
application/pdf iconMVINYES_sinusoid_time_localization.pdf
2007
Serra, X. (2007).  The Origins of DAFx and its Future within the Sound and Music Computing Field. International Conference on Digital Audio Effects. Abstract
2008
Estapé, O. (2008).  Object Parameter Extraction for Control in Vision-Based Tabletop Systems. Abstract
Jordà, S. (2008).  On Stage: the Reactable and other Musical Tangibles go Real. International Journal of Arts and Technology. 1(3/4), 268-287. Abstract
2011
Janer, J., Kersten S., Schirosa M., & Roma G. (2011).  An online platform for interactive soundscapes with user-contributed content. AES 41st International Conference on Audio for Games. Abstract
2012
Serra, X. (2012).  Opportunities for a Cultural Specific Approach in the Computational Description of Music. 2nd CompMusic Workshop. 1-4. Abstract
Holzapfel, A., Davies M. E. P., Zapata J. R., Oliveira J., & Gouyon F. (2012).  On the automatic identification of difficult examples for beat tracking: towards building new evaluation datasets. The 37th International Conference on Acoustics, Speech, and Signal Processing (ICASSP). 89-92. Abstract
2013
Guaus, E., Saña O., & Llimona Q. (2013).  Observed Differences in Rhythm between Performances of Classical and Jazz Violin Students. Stockholm Music Acoustics Conference 2013 and Sound and Music Computing Conference 2013. Abstract
application/pdf iconphenicx_guaus_SMAC13.pdf
2014
Janer, J., Gorlow S., & Arimoto K. (2014).  OBRAMUS: A System for Object-Based Retouch of Amateur Music. 137th AES Convention.
application/pdf iconpaper137_submit.pdf
Giraldo, S., & Ramirez R. (2014).  Optimizing Melodic Extraction Algorithm for Jazz Guitar Recordings Using Genetic Algorithms. International Computer Music Conference/Sound and Music Computing Conference. Abstract
application/pdf iconSergio_SMC_3.pdf
2015
Rodriguez-Serrano, F. J., Duan Z., Vera-Candeas P., Pardo B., & Carabias-Orti J. J. (2015).  Online Score-Informed Source Separation with Adaptive Instrument Models. Journal of New Music Research. Abstract
application/pdf iconFullText
Villavicencio, F., Bonada J., & Hisaminato Y. (2015).  Observation-Model Error Compensation for Enhanced Spectral Envelope Transformation in Voice Conversion. IEEE International Workshop on Machine Learning for Signal Processing. Abstract
2016
Dzhambazov, G., Srinivasamurthy A., Şentürk S., & Serra X. (2016).  On the Use of Note Onsets for Improved Lyrics-to-audio Alignment in Turkish Makam Music. 17th International Society for Music Information Retrieval Conference (ISMIR 2016) . 716-722. Abstract
2017
Schedl, M., Gómez E., Trent E., Tkalcic M., Zadeh H. E., & Martorell A. (2017).  On the Interrelation between Listener Characteristics and the Perception of Emotion in Classical Orchestra Music. IEEE Transactions on Affective Computing. Abstract
Speck, R., Röder M., Oramas S., Espinosa-Anke L., & Ngonga Ngomo A. (2017).  Open Knowledge Extraction Challenge 2017. Extended Semantic Web Conference (ESWC 2017).
Speck, R., Röder M., Oramas S., Espinosa-Anke L., & Ngonga Ngomo A. (2017).  Open Knowledge Extraction Challenge 2017. Extended Semantic Web Conference (ESWC 2017). Abstract
2018
Ferraro, A., & Lemstöm K. (2018).  On large-scale genre classification in symbolically encoded music by automatic identification of repeating patterns. 5th International Conference on Digital Libraries for Musicology.
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