Biblio

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Master Thesis
Cuarón-Sánchez, J. A. (2014).  Perceptual Validation of Chord Estimation Evaluation Standards. Abstract
application/pdf iconJorge-Cuaron-Master-Thesis-2014.pdf
Gómez-Marín, D. (2014).  Percussive spaces: Definition and use of percussive spaces for analysis and interaction. Abstract
application/pdf iconDaniel-Gomez-Master-Thesis-2014.pdf
Sparato, D. M. M. (2012).  A Physiological Approach for User Experience Evaluation. Case Study: Interaction with Tabletop Systems for Music Creation. Abstract
application/pdf iconMundo-Diana-MasterThesis-2012.pdf
Cuesta, H. (2017).  Pitch Estimation of Choir Music using Deep Learning Strategies: from Solo to Unison Recordings. Abstract
Ishwar, V. (2014).  Pitch Estimation of the Predominant Vocal Melody from Heterophonic Music Audio Recordings. Abstract
application/pdf iconVignesh-Ishwar-Master-Thesis-2014.pdf
Panteli, M. (2011).  Pitch Patterns of Cypriot Folk Music between Byzantine and Ottoman Influence. Abstract
Alonso, C. (2007).  Pitch-Synchronous Multiresolution Analysis of Music Signals. Abstract
Senan, T. U. (2014).  Preservation and Study of Historical Guitars Museu de la Musica de Catalunya: Methodology Proposal to Play the Unplayable. Abstract
Marley, W. (2013).  Processing an Instrumental Gesture in the Reactable as a Method of Computer Improvisation. Abstract
application/pdf iconLiam-Marley-Master-Thesis-2013.pdf
Miscellaneous
Anniés, R., Adiloglu K., & Purwins H. (2009).  Playing with {SID}. Sound and Music Computing Conference, Inspirational Session "Sonic Interaction Design: interactive sound and everyday life" . Abstract
application/pdf iconAnniesAdilogluPurwins_SID_SoundPlay.pdf
Gouyon, F., Herrera P., & Cano P. (2002).  Pulse-dependent analyses of percussive music. Abstract
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