Biblio

Export 61 results:
Sort by: [ Author (Asc)] Title Type Year
Filters: First Letter Of Title is P  [Clear All Filters]
A B C D E F G H I J K L M N O [P] Q R S T U V W X Y Z   [Show ALL]
A
Alonso, C. (2007).  Pitch-Synchronous Multiresolution Analysis of Music Signals. Abstract
Anniés, R., Adiloglu K., & Purwins H. (2009).  Playing with {SID}. Sound and Music Computing Conference, Inspirational Session "Sonic Interaction Design: interactive sound and everyday life" . Abstract
application/pdf iconAnniesAdilogluPurwins_SID_SoundPlay.pdf
B
Barbosa, A., & Kaltenbrunner M. (2002).  Public Sound Objects A shared musical space on the web. Abstract
Bittner, R. M., Salamon J., Bosch J., & Bello J. P. (2017).  Pitch Contours as a Mid-Level Representation for Music Informatics. AES International Conference on Semantic Audio.
application/pdf iconSemantic_Audio_2017_pitch_contours.pdf
Bozkurt, B. (2014).  Pitch Histogram based analysis of Makam Music in Turkey. (Ayari, Mondher, Lai, Antonio, Ed.).LES CORPUS DE L'ORALITÉ. Abstract
Bozzon, A., Laurier C., Pihlajamaa O., Aichroth P., Nejdl W., Debald S., et al. (2009).  Pharos: an audiovisual search platform. International Conference on Special Interest Group on Information Retrieval (SIGIR). 841. Abstract
C
Canadas-Quesada, F. J., Vera-Candeas P., Ruiz-Reyes N., Carabias-Orti J. J., & Cabanas-Molero P. (2014).  Percussive/harmonic sound separation by non-negative matrix factorization with smoothness/sparseness constraints. EURASIP Journal on Audio, Speech, and Music Processing 2014. Abstract
application/pdf iconFullText
Coleman, G., & Villavicencio F. (2010).  Predicting Transformed Audio Descriptors: A System Design and Evaluation. Workshop on Machine Learning and Music (ACM Multimedia 2010). Abstract
application/pdf iconmml10.pdf
Cuarón-Sánchez, J. A. (2014).  Perceptual Validation of Chord Estimation Evaluation Standards. Abstract
application/pdf iconJorge-Cuaron-Master-Thesis-2014.pdf
Cuesta, H. (2017).  Pitch Estimation of Choir Music using Deep Learning Strategies: from Solo to Unison Recordings. Abstract
D
Durand, N., & Gómez E. (2001).  Periodicity Analysis using An Harmonic Matching method and Bandwise Processing. Abstract
F
Fuhrmann, F., & Herrera P. (2010).  Polyphonic Instrument Recognition for exploring semantic Similarities in Music. International Conference on Digital Audio Effects (DAFx). Abstract
application/pdf iconffuhrmann_dafx10_final.pdf
G
Geiger, G. (2003).  PDa Real Time Signal Processing and Sound Generation on Handheld Devices (DEMO). Abstract
Gómez, E., Grachten M., Hanjalic A., Janer J., Jordà S., Julià C. F., et al. (2013).  PHENICX: Performances as Highly Enriched aNd Interactive Concert Experiences. SMAC Stockholm Music Acoustics Conference 2013, SMC Sound and Music Computing Conference 2013.
application/pdf iconPHENICX-smac2013-6.0.pdf
Gómez, E., Cañadas F., Salamon J., Bonada J., Vera P., & Cabañas P. (2012).  Predominant Fundamental Frequency Estimation vs Singing Voice Separation for the Automatic Transcription of Accompanied Flamenco Singing. 13th International Society for Music Information Retrieval Conference (ISMIR 2012). Abstract
application/pdf iconMTGUJA-ISMIR2012-FINAL.pdf
Gómez-Marín, D., Jordà S., & Herrera P. (2015).  PAD and SAD: Two awareness-weighted rhythmic similarity distances. 16th International Society for Music Information Retrieval (ISMIR) Conference. Abstract
application/pdf iconpad and sad.pdf
Gómez-Marín, D. (2014).  Percussive spaces: Definition and use of percussive spaces for analysis and interaction. Abstract
application/pdf iconDaniel-Gomez-Master-Thesis-2014.pdf
Gong, R., Yang Y., & Serra X. (2016).  Pitch Contour Segmentation for Computer-aided Jingju Singing Training. 13th Sound and Music Computing Conference (SMC 2016). 172-178. Abstract
Gouyon, F., Herrera P., & Cano P. (2002).  Pulse-dependent analyses of percussive music. Abstract
Gouyon, F., Herrera P., & Cano P. (2002).  Pulse-dependent analyses of percussive music. Abstract
Gouyon, F., Herrera P., Martins L. G., & Müller M. (2012).  Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012.
Gulati, S., Serrà J., Ishwar V., Şentürk S., & Serra X. (2016).  Phrase-based Rāga Recognition Using Vector Space Modeling. 41st IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP 2016). 66-70. Abstract
application/pdf iconPresentation slides
H
Haro, G. G., Serrà J., Corral A., & Herrera P. (2012).  Power-Law Distribution in Encoded MFCC Frames of Speech, Music, and Environmental Sound Signals. 21st International World Wide Web Conference (WWW 2012): 4th International Workshop on Advances in Music Information Research (AdMIRe 2012). 895-902.
application/pdf iconharo_etal_p895.pdf
Hazan, A. (2005).  Performing expressive rhythms with billaboop voice-driven drum generator. Abstract
Hazan, A., Holonowicz P., Salselas I., Herrera P., Purwins H., Knast A., et al. (2008).  Poster - Modeling the Acquisition of Statistical Regularities in Tone Sequences. CogSci 2008.
intranet