Biblio

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Koduri, G. K., Gulati S., Rao P., & Serra X. (2012).  Rāga Recognition based on Pitch Distribution Methods. Journal of New Music Research. 41, 337-350. Abstract
Freixes, M. (2012).  Rapaloid: Adapting an Existing Framework for Emotional Speech Prosody Generation. Abstract
Garcia, D. (2007).  Rapid Prototyping for Audio Applications. Abstract
Jordà, S. (2007).  The reactable. (Polotti, P., Rocchesso, D., Ed.).Sound to Sense, Sense to Sound – A state of the art in Sound and Music Computing. 490. Abstract
Jordà, S. (2006).  The reacTable. International Conference on Computer Graphics and Interactive Techniques, ACM SIGGRAPH.
Jordà, S. (2010).  The Reactable : Tangible and Tabletop Music Performance. CHI 2010: 28th ACM Conference on Human Factors in Computing Systems. 2989-2994 . Abstract
application/pdf iconreactable_music_performance.pdf
Jordà, S., Geiger G., Alonso M., & Kaltenbrunner M. (2007).  The reacTable Exploring the Synergy between Live Music Performance and Tabletop Tangible Interfaces. Conference on tangible and embeded interaction. Abstract
Jordà, S. (2003).  Reactable Kick Off.
application/pdf iconreacTableKickOff2003.pdf
Jordà, S., Kaltenbrunner M., Geiger G., & Bencina R. (2005).  The reacTable*. Abstract
Kaltenbrunner, M., Jordà S., Geiger G., & Alonso M. (2006).  The reacTable* A Collaborative Musical Instrument. Abstract
Geiger, G., Alber N., Jordà S., & Alonso M. (2010).  The Reactable: A Collaborative Musical Instrument for Playing and Understanding Music. Her&Mus. Heritage & Museography. 36-43. Abstract
Kaltenbrunner, M., & Bencina R. (2007).  reacTIVision A Computer-Vision Framework for Table-Based Tangible Interaction. Abstract
Papiotis, P., & Purwins H. (2010).  Real-time Accompaniment using lyrics-matching QBH. 7th International Symposium on Computer Music Modeling and Retrieval (CMMR). 279-280. Abstract
application/pdf iconPapiotis_CMMR2010_QBHDemo.pdf
Papiotis, P. (2010).  Real-time Accompaniment Using Lyrics-Matching Query-by-Humming (QBH). Abstract
Jordà, S. (1991).  A Real-Time MIDI Composer and Interactive Improviser by Means of Feedback Systems. Abstract
Mayor, O., Loscos A., & Bonada J. (2004).  Real-Time Spectral Synthesis For Wind Instruments. Abstract
Hinojosa, R. (2003).  Realtime Algorithmic Music Systems From Fractals and Chaotic Functions Toward an Active Musical Instrument. Abstract
Chen, G., Wang T. - G., & Herrera P. (2008).  Relevance Feedback in An Adaptive Space with One-Class SVM for Content-Based Music Retrieval. IEEE International Conference on Audio, Language and Image Processing 2008. Abstract
Mayor, O., Llop J., & Maestre E. (2011).  RepoVizz: A multimodal on-line database and browsing tool for music performance research. 12th International Society for Music Information Retrieval Conference (ISMIR 2011). Abstract
application/pdf iconRepoVizz_ISMIR_2011_v5.pdf
Adiloglu, K., Anniés R., Purwins H., & Obermayer K. (2008).  Representations and Predictors for Everyday Sounds .
Serra, X. (1994).  Residual minimization in a musical signal model based on a deterministic plus stochastic decomposition. 128th meeting of the Acoustical Society of America.
Gomes, L., Gómez E., & Moreau N. (2001).  Resynchronization methods for audio watermarking. Abstract
Cano, P., Batlle E., Kalker T., & Haitsma J. (2002).  A Review of Algorithms for Audio Fingerprinting. Abstract
Cano, P., Batlle E., Kalker T., & Haitsma J. (2005).  A Review of Audio Fingerprinting. The Journal of VLSI Signal Processing. 41, 271 - 284. Abstract
Gouyon, F., & Dixon S. (2005).  A review of automatic rhythm description systems. Computer Music Journal. 29, Abstract
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