Biblio
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(2010). A system for soundscape generation, composition and streaming.
XVII CIM - Colloquium of Musical Informatics. Abstract
(1989). A System for Sound Analysis/Transformation/Synthesis based on a Deterministic plus Stochastic Decomposition.
Dept. of Music / CCRMA. Abstract
(2007). Synthesis of the Singing Voice by Performance Sampling and Spectral Models.
IEEE Signal Processing Magazine. 24, 67-79. Abstract
(2011). Synchronization of intonation adjustments in violin duets: towards an objective evaluation of musical interaction.
Proc. of the 14th Int. Conference on Digital Audio Effects (DAFx-11). Abstract
(2009). Supporting Soundscape Design in Virtual Environments with Content-based Audio Retrieval.
Journal of Virtual Worlds Research. 2(3), Abstract
(2012). Support Vector Machine Active Learning for Music Mood Tagging.
9th International Symposium on Computer Music Modeling and Retrieval (CMMR).
(2007). A Summary of Formats for Streaming and Storing Music-Related Movement and Gesture Data.
International Conference on Enactive Interfaces. Abstract
(1996). Subliminals Sonors.
(2007). Structural Analysis and Segmentation of Music Signals.
Department of Information and Communication Technologies. Abstract
(2005). Storage and Retrieval of relevant information from music master classes.
36th conference of the International Association of Sound and Audiovisual Archives (IASA). Abstract
(2009). Statistical Modeling of Violin Bowing Parameter Contours.
International Computer Music Conference. Abstract
(2010). Statistical Modeling of Bowing Control applied to Violin Sound Synthesis.
IEEE Transactions on Audio, Speech, and Language Processing .
(2012). Statistical Characterisation of Melodic Pitch contours and its Application for Melody Extraction.
13th International Society for Music Information Retrieval Conference (ISMIR 2012). Abstract
(2009). Statistical analysis of chroma features in western music predicts human judgments of tonality.
Journal of New Music Research. 37(4), 299-309. Abstract
(2007). State of the Art and Future Directions in Musical Sound Synthesis.
International Workshop on Multimedia Signal Processing. Abstract
(2001). Spectrum of Pitch Differences Models the Perception of Octave Ambiguous Tones.
International Computer Music Conference. 274-276. Abstract
(2002). Spectral Processing.
(, Ed.).DAFX - Digital Audio Effects. 373-438.

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