Biblio
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(2012). A Two-stage Approach for Tonic Identification in Indian Art Music.
2nd CompMusic Workshop. Abstract
(2011). Two-Dimensional Visual Inspection of Pitch-Space, Many Time-Scales and Tonal Uncertainty Over Time.
3rd International Conference on Mathematics and Computation in Music (MCM 2011). Abstract
(2009). Turtan: Un lenguaje de programación tangible.
(, Ed.).Interacción 2009. Abstract
(2008). TurTan: a Tangible Programming Language for Creative Exploration.
Third annual IEEE international workshop on horizontal human-computer systems (TABLETOP). Abstract
(2009). Trends and Perspectives in Music Cognition Research and Technology.
Connection Science. 21(2-3), 85-88. Abstract
(2008). Transposing Chroma Representations to a Common Key.
IEEE CS Conference on The Use of Symbols to Represent Music and Multimedia Objects. 45-48. Abstract
(2006). Training a Classifier to Detect Instantaneous Musical Cognitive States.
International Conference on Music Perception and Cognition. Abstract
(2012). Tracking Melodic Patterns in Flamenco Singing by Analyzing Polyphonic Music Recordings.
13th International Society for Music Information Retrieval Conference (ISMIR 2012). Abstract
(2003). Towards Rhythmic Content Processing of Musical Signals Fostering Complementary Approaches.
Journal of New Music Research. 32, Abstract
(2000). Towards Instrument Segmentation for Music Content Description a Critical Review of Instrument Classification Techniques.
International Conference on Music Information Retrieval. Abstract
(In Press). Towards Computer-Assisted Flamenco Transcription: An Experimental Comparison of Automatic Transcription Algorithms As Applied to A Cappella Singing.
Computer Music Journal.
(2003). Towards computational morphological sound description.
Musicnetwork Workshop - IRCAM Ressonances.
(2006). Towards better automatic genre classifiers by means of understanding human decisions on genre discrimination.
International Conference on Music Perception and Cognition. 326-327. Abstract
(2012). Towards a taxonomy for video analysis on collaborative musical tabletops.
BCS HCI 2012 Workshop on Video Analysis Techniques for HCI.
(2005). Towards a Semantic Descriptor of Subjective Intensity in Music.
International Computer Music Conference. Abstract

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