Back Marco Marchini defends his PhD thesis on November 27th

Marco Marchini defends his PhD thesis on November 27th

21.11.2014

 

27 Nov 2014

Marco Marchini defends his PhD thesis entitled "Analysis of Ensemble Expressive Performance in String Quartets: a Statistical and Machine Learning Approach" on Thursday November 27th 2014 at 12:00h in room 55.309 of the Communication Campus of the UPF.

The jury of the defense is: Xavier Serra (UPF), Josep Lluís Arcos (IIIA-CSIC), Roberto Bresin (KTH).

Abstract: Computational approaches for modeling expressive music performance have produced systems that emulate human expression, but few steps have been taken in the domain of ensemble performance. Polyphonic expression and inter-dependence among voices are intrinsic features of ensemble performance and need to be incorporated at the very core of the models. For this reason, we proposed a novel methodology for building computational models of ensemble expressive performance by introducing inter-voice contextual attributes (extracted from ensemble scores) and building separate models of each individual performer in the ensemble. We focused our study on string quartets and recorded a corpus of performances both in ensemble and solo conditions employing multi-track recording and bowing motion acquisition techniques. From the acquired data we extracted bowed-instrumentspecic expression parameters performed by each musician. As a preliminary step, we investigated over the dierence between solo and ensemble from a statistical point of view and show that the introduced inter-voice contextual attributes and extracted expression are statistically sound. In a further step, we build models of expression by training machine-learning algorithms on the collected data. As a result, the introduced inter-voice contextual attributes improved the prediction of the expression parameters.
Furthermore, results on attribute selection show that the models trained on ensemble recordings took more advantage of inter-voice contextual attributes than those trained on solo recordings. The obtained results show that the introduced methodology can have applications in the analysis of collaboration among musicians.

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