On the Interrelation between Listener Characteristics and the Perception of Emotion in Classical Orchestra Music. IEEE Transactions on Affective Computing.(In Press).
Physiopucks: Increasing User Motivation by Combining Tangible and Implicit Physiological interaction. Transactions on Computer-Human Interaction (TOCHI).(In Press).
Designing Efficient Architectures for Modeling Temporal Features with Convolutional Neural Networks. 42th International Conference on Acoustics, Speech, and Signal Processing (ICASSP 2017) .(2017).
Monoaural Audio Source Separation Using Deep Convolutional Neural Networks. 13th International Conference on Latent Variable Analysis and Signal Separation (LVA ICA2017).(2017).
Multimedia Technologies for Enriched Music Performance, Production and Consumption. IEEE Mutlimedia Magazine . 24(01), 20-23.(2017).
Computational Approaches for Melodic Description in Indian Art Music Corpora. Department of Information and Communication Technologies. 305.(2016).
Towards a multimodal knowledge base for Indian art music: A case study with melodic intonation. Department of Information and Communication Technologies. 242.(2016).
A Comparison of Melody Extraction Methods Based on Source-Filter Modelling. 17th International Society for Music Information Retrieval Conference (ISMIR 2016). 571-577.(2016).
Automatic musical instrument recognition in audiovisual recordings by combining image and audio classification strategies. 13th Sound and Music Computing Conference (SMC 2016).(2016).
Composition Identification in Ottoman-Turkish Makam Music Using Transposition-Invariant Partial Audio-Score Alignment. 13th Sound and Music Computing Conference (SMC 2016). 434-441.(2016).
Melody extraction based on a source-filter model using pitch contour selection. 13th Sound and Music Computing Conference (SMC 2016). 67-74.(2016).
Pitch Contour Segmentation for Computer-aided Jingju Singing Training. 13th Sound and Music Computing Conference (SMC 2016). 172-178.(2016).
A Score-Informed Computational Description of Svaras Using a Statistical Model. 13th Sound and Music Computing Conference (SMC 2016). 427-433.(2016).
Semantic Modelling for User Interaction with Sonic Content. 22nd Portuguese Conference on Pattern Recognition (RECPAD). 91-92.(2016).
Towards User-Tailored Creative Applications of Concatenative Synthesis in Electronic Dance Music. 4th International Workshop on Musical Metacreation (MUME 2016).(2016).
ELMD: An Automatically Generated Entity Linking Gold Standard Dataset in the Music Domain. Language Resources and Evaluation Conference (LREC 2016). 3312-3317.(2016).
Discovering Rāga Motifs by Characterizing Communities in Networks of Melodic Patterns. 41st IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP 2016) . 286-290.(2016).
Melody Transcription Framework using Score Information for Noh Singing. International Conference on Creative Content Technologies (CONTENT 2016).(2016).
Phrase-based Rāga Recognition Using Vector Space Modeling. 41st IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP 2016). 66-70.(2016).
A generalized Bayesian model for tracking long metrical cycles in acoustic music signals. 41st IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP 2016). 76-80.(2016).
Finding and Expanding Hypernymic Relations in the Music Domain. 19th International Conference of the Catalan Association for Artificial Intelligence (CCIA).(2016).
NACTA: construyendo el futuro de la tradición del jingju. Itinerarios, Espacios, Contextos: XIV congreso de la Sociedad de Etnomusicología, IX congreso de IASPM España.(2016).