Unsupervised Chord-Sequence Generation from an Ausio Example. International Society for Music Information Retrieval Conference (ISMIR 2012).(2012).
User-Aware Music Retrieval. ( , Ed.).Multimodal Music Processing. 3, 135-156.(2012).
Multi-touch interaction principles for collaborative real-time music activities: towards a pattern language. International Computer Music Conference.(2011).
A hair ribbon deflection model for low-intrusiveness measurement of bow force in violin performance.. New Interfaces for Musical Creation (NIME 2011).(2011).
Listening to Your Brain: Implicit Interaction in Collaborative Music Performances. The International Conference on New Interfaces for Musical Expression (NIME).(2011).
MTCF: A framework for designing and coding musical tabletop applications directly in Pure Data. New Interfaces for Musical Expression. 457-460.(2011).
Adding Dynamic Smoothing to Mixture Mosaicing Synthesis. Spars11: Workshop on Signal Processing with Adaptive Sparse Structured Representations.(2011).
Measuring ensemble synchrony through violin performance parameters: a preliminary progress report. 2nd Workshop of Social Behavior in Music (SBM-2011/INTETAIN-2011).(2011).
Authoring augmented soundscapes with user-contributed content. ISMAR Workshop on Authoring Solutions for Augmented Reality.(2011).
Freesound 2: An Improved Platform for Sharing Audio Clips. International Society for Music Information Retrieval Conference (ISMIR 2011), Late-breaking Demo Session.(2011).
Assessing the tuning of sung Indian classical music. Int. Soc. for Music Information Retrieval Conf. (ISMIR). 263-268.(2011).
Computational approaches for the understanding of melody in Carnatic music. International Society for Music Information Retrieval Conference (ISMIR). 157-162.(2011).
How much metadata do we need in music recommendation? A subjective evaluation using preference sets. International Society for Music Information Retrieval Conference (ISMIR).(2011).
Quantifying the relevance of locally extracted information for musical instrument recognition from entire pieces of music. International Society for Music Information Retrieval Conference (ISMIR).(2011).
RepoVizz: A multimodal on-line database and browsing tool for music performance research. 12th International Society for Music Information Retrieval Conference (ISMIR 2011).(2011).
A Multicultural Approach in Music Information Research. Int. Soc. for Music Information Retrieval Conf. (ISMIR). 151-156.(2011).
Nonlinear audio recurrence analysis with application to genre classification. IEEE International Conference on Acoustics, Speech and Signal processing (ICASSP). 169-172.(2011).
Integrating Different Knowledge Sources for the Computational Modeling of Flamenco Music. ( , Ed.).Multimodal Music Processing (Dagstuhl Seminar 11041) - Dagstuhl Reports. 1(1), 82-83.(2011).
Comparative evaluation and combination of audio tempo estimation approaches. ( , Ed.).AES 42nd Conference on Semantic Audio.(2011).
Sparse Approximations for Drum Sound Classification. IEEE Journal of Selected Topics in Signal Processing. 5(5), 933 - 940.(2011).
Sonification of Brain and Body Signals in Collaborative Tasks Using a Tabletop Musical Interface. International Conference on Auditory Display (ICAD).(2011).
Sinusoid Extraction and Salience Function Design for Predominant Melody Estimation. Proc. of the 14th Int. Conference on Digital Audio Effects (DAFx-11). 73-80.(2011).