Biblio

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Haro, M., Serrà J., Herrera P., & Corral A. (2012).  Zipf's Law in Short-Time Timbral Codings of Speech, Music, and Environmental Sound Signals. PLoS ONE. 7(3), e33993.
Celma, Ò., & Raimond Y. (2008).  ZemPod: A semantic web approach to podcasting. Journal of Web Semantics. 6(2), 162-169. Abstract
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Kaltenbrunner, M. (2002).  Y-Windows Proposal for a Standard AUI Environment. Abstract
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Garcia, D., & Amatriain X. (2001).  XML as a means of control for audio processing, synthesis and analysis. Abstract
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Bonada, J. (2008).  Wide-Band Harmonic Sinusoidal Modeling. International Conference on Digital Audio Effects. Abstract
Hazan, A., Brossier P., Marxer R., & Purwins H. (2007).  What/when causal expectation modelling in monophonic pitched and percussive audio. NIPS-Workshop Music, Brain, & Cognition. Abstract
Hazan, A., Marxer R., Brossier P., Purwins H., Herrera P., & Serra X. (2009).  What/when causal expectation modelling applied to audio signals. Connection Science. 21(2-3), 119 – 143. Abstract
Hazan, A., Brossier P., Marxer R., & Purwins H. (2008).  What/when causal expectation modelling applied to percussive audio. The Journal of the Acoustical Society of America, vol. 123, issue 5, p. 3800. Abstract
Loureiro, R., & Serra X. (1997).  A Web Interface for a Sound Database and Processing System. International Computer Music Conference. Abstract
Purwins, H. (2010).  We Perceive Music before we Understand Speech. Physics of Life Reviews. 7(1), 46. Abstract
application/pdf iconPurwins_Perlovsky_review_PRL_EmotionMusicSpeech.pdf
Loscos, A., & Aussenac T. (2005).  The Wahwactor a voice controlled wah-wah pedal. Abstract
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Guerra, E. (1998).  VowSynth A Synthesizer of Vowel Sounds Based on Additive Synthesis. International Conference on Digital Audio Effects (DAFX). Abstract
Janer, J. (2005).  Voice-controlled plucked bass guitar through two synthesis techniques. Abstract
Nieto, O. (2008).  Voice Transformations for Extreme Vocal Effects. Abstract
Bonada, J. (2008).  Voice Processing and Synthesis by Performance Sampling and Spectral Models. Department of Information and Communication Technologies. Abstract
Cano, P., Loscos A., Bonada J., De Boer M., & Serra X. (2000).  Voice Morphing System for Impersonating in Karaoke Applications. International Computer Music Conference. Abstract
Janer, J. (2004).  Voice as a musical controller for real-time synthesis. Abstract
Marti, F., Lopez D., & Resina E. (1998).  Vocem An Application for Real-Time Granular Synthesis. Abstract
Roig Garcia, C. (2011).  Vocal Riffs Model for Synthesis and Transformation. Abstract
application/pdf iconRoig-Carles-Master-thesis-2011.pdf
Guaus, E., & Batlle E. (2003).  Visualization of metre and other rhythm features. International Symposium on Signal Processing and Information Technology. Abstract
Macias, B. (1999).  Visualización 3D de la modelización sinusoidal más residual del sonido. Abstract
Adiloglu, K., Anniés R., Purwins H., & Obermayer K. (2009).  Visualisation and Measurement Assisted Design . Abstract
application/pdf iconAdiloglu_et_al_CLOSED_Deliverable5.2.pdf
Kellum, G. (2007).  Violin Driven Synthesis from Spectral Models. Abstract
Xambó, A., Laney R., Dobbyn C., & Jordà S. (2013).  Video analysis for evaluating music interaction: musical tabletop. (Simon Holland, Ed.).Music and Human-Computer Interaction.
Herrera, P., & Bonada J. (1998).  Vibrato Extraction and Parameterization in the Spectral Modeling Synthesis framework. Abstract
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