Biblio

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Book
Jordà, S. (1997).  Guía Monográfica del Audio Digital y el MIDI. Anaya Multimedia. 336.
Gouyon, F., Herrera P., Martins L. G., & Müller M. (2012).  Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012. (., Ed.).
Serra, X., Rao P., Murthy H., & Bozkurt B. (2012).  Proceedings of the 2nd CompMusic Workshop. 159.
application/pdf iconProceedings-2nd-CompMusic-Workshop-2012.pdf
Serra, X., Magas M., Benetos E., Chudy M., Dixon S., Flexer A., et al. (2013).  Roadmap for Music Information ReSearch. Abstract
application/pdf iconMIRES-Roadmap.pdf
Serra, X., Widmer G., & Leman M. (2007).  A Roadmap for Sound and Music Computing. (The S2S Consortium, Ed.). Abstract
Book Chapter
Serrà, J., Gómez E., & Herrera P. (2010).  Audio cover song identification and similarity: background, approaches, evaluation, and beyond. (Ras, Z., A. A. Wieczorkowska, Ed.).Advances in Music Information Retrieval. 274, 307-332. Abstract
application/pdf iconjserra10coveridreview.pdf
Cano, P., Batlle E., Gómez E., Gomes L., & Bonnet M. (2005).  Audio Fingerprinting Concepts and Applications.. 233-245. Abstract
Herrera, P., Klapuri A., & Davy M. (2006).  Automatic Classification of Pitched Musical Instrument Sounds. (Anssi Klapuri, Davy, M., Ed.).Signal Processing Methods for Music Transcription. Abstract
Laurier, C., & Herrera P. (2009).  Automatic Detection of Emotion in Music: Interaction with Emotionally Sensitive Machines. (Dr. Vallverdu, Dr. Casacuberta, Ed.).Handbook of Research on Synthetic Emotions and Sociable Robotics: New Applications in Affective Computing and Artificial Intelligence. 9-32.
Gouyon, F., Herrera P., Gómez E., Cano P., Bonada J., Loscos A., et al. (2008).  Content Processing of Music Audio Signals. (Polotti, P., Rocchesso, D., Ed.).Sound to Sense, Sense to Sound: A State of the Art in Sound and Music Computing. 83-160.
Purwins, H., Graepel T., Blankertz B., & Obermayer K. (2004).  Correspondence analysis for visualizing interplay of pitch class, key, and composer. (Guerino Mazzola, Thomas Noll, Emilio Luis-Puebla, Ed.).Perspectives in Mathematical and Computational Music Theory. 432-454. Abstract
Jordà, S. (2007).  Interactivity and Live Computer Music. (Nick Collins, Julio d'Escrivan, Ed.).The Cambridge Companion to Electronic Music. 312. Abstract
Ramírez, R., Hazan A., Maestre E., & Serra X. (2006).  A Machine Learning Approach to Expressive Performance in Jazz Standards. (Petrushin, V. A., Khan, L., Ed.).Multimedia Data Mining and Knowledge Discovery. Abstract
Ramírez, R., Gómez E., Vicente V., Puiggròs M., Hazan A., & Maestre E. (2006).  Modeling Expressive Music Performance in Bassoon Audio Recordings. Intelligent Computing in Signal Processing and Pattern Recognition. 345, 951-957.
Jordà, S. (2007).  Models to produce and share music over the Internet. The M.O.D.E.M. model. M.O.D.E.M. Music open distance exchange model.
Iglesias, C. A., Sánchez M., Guibert A., Guibertand M. J., & Gómez E. (2006).  A Multilingual Web-based Educational System for Professional Musicians. (Méndez-Vilas, A., Ed.).Current Developments in Technology-Assisted Education, Proceedings of Fourth International Conference on Multimedia and Information and Communication Technologies in Education. Abstract
García, R., Tsinaraki C., Celma Ò., & Christodoulakis S. (2008).  Multimedia Content Description using Semantic Web Languages. (Springer, Ed.).Semantic multimedia and ontologies: theory and applications.
Herrera, P. (2009).  Música y Persuasión. La música y su reflejo en la sociedad. 27-38. Abstract
Serra, X. (2002).  The Musical Communication Chain and its Modeling. (Assayag, G., Fechtinger, H. G., Rodrigues, J. F., Ed.).Mathematics and Music. 243-255. Abstract
Serra, X. (1997).  Musical Sound Modeling with Sinusoids plus Noise. (Roads, C., Pope, S. T., Picialli, A., De Poli, G., Ed.).Musical Signal Processing. 91-122. Abstract
Jordà, S. (2007).  The reactable. (Polotti, P., Rocchesso, D., Ed.).Sound to Sense, Sense to Sound – A state of the art in Sound and Music Computing. 490. Abstract
Amatriain, X., Bonada J., Loscos A., & Serra X. (2002).  Spectral Processing. (Udo Zölzer, Ed.).DAFX - Digital Audio Effects. 373-438.
Bonada, J., Serra X., Amatriain X., & Loscos A. (2011).  Spectral Processing. (Udo Zölzer, Ed.).DAFX Digital Audio Effects. 393-446.
Jordà, S. (2008).  Tecnologies digitals and Creació musical en viu / El reactable. Fora de l’Equilibri.
Purwins, H., Normann I., & Obermayer K. (2005).  Unendlichkeit - Konstruktion akustischer Paradoxien. (Manfred Stahnke, Ed.).Mikrotöne und mehr – Auf György Ligetis Hamburger Pfaden. 39-80.
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