Biblio

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Unpublished
Marxer, R., & Purwins H. (2008).  An F-Measure for Evaluation of Unsupervised Clustering with Non-Determined Number of Clusters. Abstract
Kersten, S., & Purwins H. (2011).  Hybrid sparse models of water stream texture sounds. Audio-graphic Sound Synthesis Workshop at the 14th International Conference on Digital Audio Effects (DAFx).
Mostafavi, A., Laurier C., Herrera P., & Ras Z. W. (2011).  Tailored tagger: A personalized, adaptive music tagging system. Abstract
application/pdf iconMostafavi-ismir-2011.pdf
Report
Vinyes, M. (2005).  Auditory stream separation in commercial music productions implementation of a real-time method based on pan location. Abstract
López-Gómez, C. (2013).  Criterios para la transcripción manual de la colección de tonás.
application/pdf iconCriteriosTranscripcionTONAS.pdf
Mealla, S., Väljamäe A., & Jordà S. (2011).  Implicit Interaction in Collaborative Music Performances. FutureBNCI. 1.
application/pdf iconFutureBNCI-RAVE11-submission.pdf
Cano, P., Gómez E., Gouyon F., Herrera P., Koppenberger M., Ong B., et al. (2006).  ISMIR 2004 Audio Description Contest. Abstract
Celma, Ò., Dasiopoulou S., Hausenblas M., Little S., Tsinaraki C., & Troncy R. (2007).  MPEG-7 and the Semantic Web. W3C.
Boll, S., Bürger T., Celma Ò., Halaschek-Wiener C., & Mannens E. (2007).  Multimedia Vocabularies on the Semantic Web. W3C. Abstract
Vinyes, M. (2006).  On time localization of sinusoids from the DFT of their sum.
Gómez, E., Streich S., Ong B., Paiva R. P., Tappert S., Batke J. M., et al. (2006).  A Quantitative Comparison of Different Approaches for Melody Extraction from Polyphonic Audio Recordings. Abstract
Mayor, O., Loscos A., & Bonada J. (2004).  Real-Time Spectral Synthesis For Wind Instruments. Abstract
Adiloglu, K., Anniés R., Purwins H., & Obermayer K. (2008).  Representations and Predictors for Everyday Sounds .
Marxer, R. (2011).  Signal decomposition by a joint pitch, timbre and wideband model.
application/pdf iconsignal_decomposition.pdf
Salamon, J., Gómez E., & Bonada J. (2011).  Supplementary Graphs: Sinusoid Extraction and Salience Function Design for Predominant Melody Estimation.
application/pdf iconSGB_Graphs.pdf
Haro, M., Xambó A., Fuhrmann F., Bogdanov D., Gómez E., & Herrera P. (2010).  User Evaluation Questionnaire for The Musical Avatar Project. Abstract
application/pdf iconAvatar_User_Evaluation.pdf
Adiloglu, K., Anniés R., Purwins H., & Obermayer K. (2009).  Visualisation and Measurement Assisted Design . Abstract
application/pdf iconAdiloglu_et_al_CLOSED_Deliverable5.2.pdf
PhD Thesis
Guaus, E. (2009).  Audio content processing for automatic music genre classification: descriptors, databases, and classifiers. Department of Information and Communication Technologies. Abstract
Laurier, C. (2011).  Automatic Classification of Musical Mood by Content-Based Analysis. Abstract
application/pdf iconPhD_Cyril_Laurier_2011_Music_Mood_Classification.pdf
Fuhrmann, F. (2012).  Automatic musical instrument recognition from polyphonic music audio signals. Abstract
application/pdf iconffuhrmann_PhDthesis.pdf
Gouyon, F. (2005).  A computational approach to rhythm description --- Audio features for the computation of rhythm periodicity functions and their use in tempo induction and music content processing. Department of Information and Communication Technologies. Abstract
Barbosa, A. (2006).  Computer-Supported Cooperative Work for Music Applications. Abstract
Cano, P. (2007).  Content-Based Audio Search from Fingerprinting to Semantic Audio Retrieval. Abstract
Jordà, S. (2005).  Digital Lutherie Crafting musical computers for new musics' performance and improvisation. Abstract
Pérez, A. (2009).  Enhancing Spectral Synthesis Techniques with Performance Gestures using the Violin as a Case Study. Department of Information and Communication Technologies. 165. Abstract
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