Biblio

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1984
Serra, X. (1984).  A Computer Model for Bar Percussion Instruments. International Computer Music Conference. Abstract
1987
Smith, J., & Serra X. (1987).  PARSHL An Analysis/Synthesis Program for non- Harmonic Sounds Based on a Sinusoidal Representation. International Computer Music Conference. 290-297. Abstract
1989
Serra, X. (1989).  A System for Sound Analysis/Transformation/Synthesis based on a Deterministic plus Stochastic Decomposition. Dept. of Music / CCRMA. Abstract
Serra, X., & Smith J. (1989).  Spectral Modeling Synthesis. International Computer Music Conference.
1990
Serra, X., & Smith J. (1990).  Spectral Modeling Synthesis A Sound Analysis/Synthesis Based on a Deterministic plus Stochastic Decomposition. Computer Music Journal. 14, 12-24.
Serra, X., & Smith J. (1990).  A Sound Decomposition System Based on a Deterministic plus Residual Model. 119th Meeting of the Acoustical Society of America. 87(S1), 
Serra, X. (1990).  Computer Models for Percussion Instruments. Colloque International sur Les Modeles Physiques Dans l'Analyse, la Production et la Creation Sonore.
1991
Jordà, S. (1991).  A Real-Time MIDI Composer and Interactive Improviser by Means of Feedback Systems. Abstract
Serra, X. (1991).  SANSY An Environment for the transformation of musical sounds. Leonardo Music Journal. Fall, Abstract
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1992
Serra, X. (1992).  L'ordinador nova eina per a la música. Revista Musical Catalana. 88, 34-38. Abstract
1994
Serra, X. (1994).  Residual minimization in a musical signal model based on a deterministic plus stochastic decomposition. 128th meeting of the Acoustical Society of America.
Serra, X. (1994).  Sound hybridization techniques based on a deterministic plus stochastic decomposition model. International Computer Music Conference. Abstract
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1995
Purwins, H. (1995).  Mehrere Beweise des komplex-analytischen Hilbertschen Nullstellensatzes.
1996
Herrera, P., & Loureiro R. (1996).  Comprensión de escenarios sonoros.
Herrera, P. (1996).  Creativitat i Intel.ligència Artificial.
Jordà, S. (1996).  EPIZOO cruelty and gratuitousness in real virtuality.
Herrera, P. (1996).  Síntesi Musical Expressiva. Abstract
Herrera, P. (1996).  Subliminals Sonors.
1997
Serra, X. (1997).  Current Perspectives in the Digital Synthesis of Musical Sounds. Formats. 1, Abstract
Bonada, J. (1997).  Desenvolupament d'un entorn gràfic per a l`anàlisi, transformació i síntesi de sons mitjançant models espectrals. Abstract
Sola, J. (1997).  Disseny i implementació d`un sintetitzador de piano. Abstract
Jordà, S. (1997).  Guía Monográfica del Audio Digital y el MIDI. Anaya Multimedia. 336.
Serra, X. (1997).  Musical Sound Modeling with Sinusoids plus Noise. (Roads, C., Pope, S. T., Picialli, A., De Poli, G., Ed.).Musical Signal Processing. 91-122. Abstract
Arcos, J. L., Lopez de Mantaras R., & Serra X. (1997).  Generating expressive musical performances with SaxEx. International Workshop Kansei Technology of Emotion AIMI'97.
Serra, X., Bonada J., Herrera P., & Loureiro R. (1997).  Integrating Complementary Spectral Models in the Design of a Musical Synthesizer. International Computer Music Conference. Abstract
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