Biblio

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A
Adiloglu, K., Anniés R., Wahlen E., Purwins P., & Obermayer K. (2012).  A Graphical Representation and Dissimilarity Measure for Basic Everyday Sound Events. IEEE Transactions on Audio, Speech, and Language Processing. 20(5), 1542-52. Abstract
Adiloglu, K., Anniés R., Purwins H., & Obermayer K. (2009).  Visualisation and Measurement Assisted Design . Abstract
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Adiloglu, K., Anniés R., Purwins H., & Obermayer K. (2008).  Representations and Predictors for Everyday Sounds .
Anniés, R., Martínez E., Adiloglu K., Purwins H., & Obermayer K. (2007).  Classification Schemes for Step Sounds Based on Gammatone-Filters. NIPS-Workshop Music, Brain, & Cognition. Abstract
B
Blankertz, B., Purwins H., & Obermayer K. (1999).  Toroidal models of inter-key relations in tonal music. VI. International Conference on Systematic and Comparative Musicology. Abstract
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Martínez, E., Adiloglu K., Anniés R., Purwins H., & Obermayer K. (2007).  Perceptual Representations for Classification of Everyday Sounds. Audio Mostly . Abstract
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Normann, I., Purwins H., & Obermayer K. (2001).  Oktavambiguität als Konkurrenz zwischen Tonhöhe und Klangfarbe. DAGA. Abstract
Normann, I., Purwins H., & Obermayer K. (2001).  Spectrum of Pitch Differences Models the Perception of Octave Ambiguous Tones. International Computer Music Conference. 274-276. Abstract
P
Purwins, H., Blankertz B., Dornhege G., & Obermayer K. (2004).  Scale Degree Profiles from Audio Investigated with Machine Learning. Audio Engineering Society Convention. Abstract
Purwins, H., Blankertz B., & Obermayer K. (2001).  Constant Q Profiles for Tracking Modulations in Audio Data. International Computer Music Conference. 407-410.
Purwins, H., Graepel T., Blankertz B., & Obermayer K. (2004).  Correspondence analysis for visualizing interplay of pitch class, key, and composer. (Guerino Mazzola, Thomas Noll, Emilio Luis-Puebla, Ed.).Perspectives in Mathematical and Computational Music Theory. 432-454. Abstract
Purwins, H., Blankertz B., & Obermayer K. (2007).  Toroidal Models in Tonal Theory and Pitch-Class Analysis. Computing in Musicology (Tonal Theory for the Digital Age ). 15, 73–98. Abstract
Purwins, H., Normann I., & Obermayer K. (2005).  Unendlichkeit - Konstruktion akustischer Paradoxien. (Manfred Stahnke, Ed.).Mikrotöne und mehr – Auf György Ligetis Hamburger Pfaden. 39-80.
Purwins, H., Blankertz B., & Obermayer K. (2000).  Computing auditory perception. Organised Sound. 5(3), 159-171. Abstract
Purwins, H., Blankertz B., & Obermayer K. (2000).  A new method for tracking modulations in tonal music in audio data format. International Joint Conference on Neural Network (IJCNN'00). 6, 270-275. Abstract
S
Susini, P., Misdariis N., Lemaitre G., Houix O., Rocchesso D., Polotti P., et al. (2006).  Closing the loop of sound evaluation and design. Perceptual Quality of Systems. Abstract
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