Note:
This bibliographic page is archived and will no longer be updated.
For an up-to-date list of publications from the Music Technology Group see the
Publications list
.
Biblio
Filters:
Author
is
Purwins, P.
Automatic phrase continuation from guitar and bass guitar melodies
.
Computer Music Journal. 37,
68–81.
(2013).
Sparse Approximations for Drum Sound Classification
.
IEEE Journal of Selected Topics in Signal Processing. 5
(5), 933 - 940.
Abstract
(2011).
Hybrid sparse models of water stream texture sounds
.
Audio-graphic Sound Synthesis Workshop at the 14th International Conference on Digital Audio Effects (DAFx).
(2011).
Unsupervised Analysis and Generation of Audio Percussion Sequences
.
(
, Ed.).
Exploring Music Contents. 6684,
205-218.
(2011).
Sound Texture Synthesis with Hidden Markov Tree Models in the Wavelet Domain
.
Sound and Music Computing Conference.
Abstract
(2010).
A Lyrics-Matching QBH System for Interactive Environments
.
Sound and Music Computing Conference.
Abstract
(2010).
Real-time Accompaniment using lyrics-matching QBH
.
7th International Symposium on Computer Music Modeling and Retrieval (CMMR).
279-280.
Abstract
(2010).
Sparse Coding for Drum Sound Classification and its Use as a Similarity Measure
.
3rd International Workshop on Machine Learning and Music (MML’10) at ACM Multimedia 2010 .
Abstract
(2010).
Unsupervised Generation of Percussion Sound Sequences from a Sound Example
.
Sound and Music Computing Conference.
Abstract
(2010).
Unsupervised Incremental Learning and Prediction of Audio Signals
.
International Symposium on Music Acoustics.
Abstract
(2010).
An Unsupervised System for the Synthesis of Variations from Audio Percussion Patterns
.
7th International Symposium on Computer Music Modeling and Retrieval (CMMR).
277-278.
Abstract
(2010).
Polynomial Extrapolation for Prediction of Surprise Based on Loudness - A Preliminary Study
.
Sound and Music Computing Conference.
Abstract
(2009).
The Role of Loudness in Detection of Surprising Events in Music Recordings
.
7th Triennial Conference of European Society for the Cognitive Sciences of Music (ESCOM), 2009.
Abstract
(2009).
Model cortical responses for the detection of perceptual onsets and beat tracking in singing
.
Connection Science. 21
(2-3), 193-205.
Abstract
(2009).
Trends and Perspectives in Music Cognition Research and Technology
.
Connection Science. 21
(2-3), 85-88.
Abstract
(2009).
What/when causal expectation modelling applied to audio signals
.
Connection Science. 21
(2-3), 119 – 143.
Abstract
(2009).
Playing with {SID}
.
Sound and Music Computing Conference, Inspirational Session "Sonic Interaction Design: interactive sound and everyday life" .
Abstract
(2009).
Modeling the Acquisition of Statistical Regularities in Tone Sequences
.
30th Annual Meeting of the Cognitive Science Society.
Abstract
(2008).
The Development of Melodic Representations at Early Age: Towards a Computational Model.
.
Music, Language and the Mind 2008.
Abstract
(2008).
(2008).
(2008).
(2008).
(2007).
Classification Schemes for Step Sounds Based on Gammatone-Filters
.
NIPS-Workshop Music, Brain, & Cognition.
Abstract
(2007).
Computational Modeling of Statistical Learning of Tone Sequences (Poster)
.
International Conference on Cognitive and Neural Systems (ICCNS 2007).
Abstract
(2007).
Dynamical Hierarchical Self-Organization of Harmonic, Motivic, and Pitch Categories
.
Music, Brain and Cognition. Part 2: Models of Sound and Cognition, held at NIPS).
Abstract
(2007).
Expectation Along The Beat A Use Case For Music Expectation Models
.
International Computer Music Conference.
Abstract
(2007).
(2007).
Toroidal Models in Tonal Theory and Pitch-Class Analysis
.
Computing in Musicology (Tonal Theory for the Digital Age ). 15,
73–98.
Abstract
(2007).
What/when causal expectation modelling in monophonic pitched and percussive audio
.
NIPS-Workshop Music, Brain, & Cognition.
Abstract
(2007).
(2006).
Unendlichkeit - Konstruktion akustischer Paradoxien
.
(
, Ed.).
Mikrotöne und mehr – Auf György Ligetis Hamburger Pfaden.
39-80.
(2005).
(2005).
Correspondence analysis for visualizing interplay of pitch class, key, and composer
.
(
, Ed.).
Perspectives in Mathematical and Computational Music Theory.
432-454.
Abstract
(2004).
Scale Degree Profiles from Audio Investigated with Machine Learning
.
Audio Engineering Society Convention.
Abstract
(2004).
Constant Q Profiles for Tracking Modulations in Audio Data
.
International Computer Music Conference.
407-410.
(2001).
Spectrum of Pitch Differences Models the Perception of Octave Ambiguous Tones
.
International Computer Music Conference.
274-276.
Abstract
(2001).
(2000).
A new method for tracking modulations in tonal music in audio data format
.
International Joint Conference on Neural Network (IJCNN'00). 6,
270-275.
Abstract
(2000).
Toroidal models of inter-key relations in tonal music
.
VI. International Conference on Systematic and Comparative Musicology.
Abstract
(1999).