Filters: Author is Marxer, R. [Clear All Filters]
Evaluation and Combination of Pitch Estimation Methods for Melody Extraction in Symphonic Classical Music. Journal of New Music Research . 45(2), 101-117.(2016).
Audio Source Separation for Music in Low-latency and High-latency Scenarios. Department of Information and Communication Technologies.(2013).
Low-latency Bass Separation using Harmonic-Percussion Decomposition. International Conference on Digital Audio Effects Conference (DAFx-13).(2013).
Modelling and Separation of Singing Voice Breathiness in Polyphonic Mixtures. International Conference on Digital Audio Effects Conference (DAFx-13).(2013).
Separation of Unvoiced Fricatives in Singing Voice Mixtures with Semi-Supervised NMF. International Conference on Digital Audio Effects Conference (DAFx-13).(2013).
Study of regularizations and constraints in NMF-based drums monaural separation. International Conference on Digital Audio Effects Conference (DAFx-13).(2013).
Combining a harmonic-based nmf decomposition with transient analysis for instantaneous percussion separation. International Conference on Acoustics, Speech, and Signal Processing (ICASSP). 281-284.(2012).
A Tikhonov Regularization Method For Spectrum Decomposition In Low Latency Audio Source Separation. International Conference on Acoustics, Speech, and Signal Processing (ICASSP). 277-280.(2012).
Low-Latency Instrument Separation in Polyphonic Audio Using Timbre Models. ( , Ed.).Latent Variable Analysis and Signal Separation - 10th International Conference, LVA/ICA. 7191, 314-321.(2012).
Unsupervised Incremental Learning and Prediction of Audio Signals. International Symposium on Music Acoustics.(2010).
What/when causal expectation modelling applied to audio signals. Connection Science. 21(2-3), 119 – 143.(2009).
Music type groupers (MTG): generic music classification algorithms. Music Information Retrieval Evaluation eXchange (MIREX) extended abstract.(2009).
Computational Models of Music Perception and Cognition I: The Perceptual and Cognitive Processing Chain. Physics of Life Reviews. 5(3), 151-168.(2008).
Computational Models of Music Perception and Cognition II: Domain-Specific Music Processing. Physics of Life Reviews. 5(3), 169-182.(2008).
What/when causal expectation modelling applied to percussive audio. The Journal of the Acoustical Society of America, vol. 123, issue 5, p. 3800.(2008).
Attention as musical interplay of bottom-up accents and expectation. GOSPEL Workshop.(2007).
Computational Modeling of Statistical Learning of Tone Sequences (Poster). International Conference on Cognitive and Neural Systems (ICCNS 2007).(2007).
Dynamical Hierarchical Self-Organization of Harmonic, Motivic, and Pitch Categories . Music, Brain and Cognition. Part 2: Models of Sound and Cognition, held at NIPS).(2007).
What/when causal expectation modelling in monophonic pitched and percussive audio. NIPS-Workshop Music, Brain, & Cognition.(2007).
Content-based Music Audio Recommendation. ACM Multimedia.(2005).