Biblio
Filters: Author is Purwins, P. [Clear All Filters]
(2007).
Polynomial Extrapolation for Prediction of Surprise Based on Loudness - A Preliminary Study .
Sound and Music Computing Conference. Abstract
(2009).
(2008).
Real-time Accompaniment using lyrics-matching QBH.
7th International Symposium on Computer Music Modeling and Retrieval (CMMR). 279-280. Abstract
(2010).
The Role of Loudness in Detection of Surprising Events in Music Recordings.
7th Triennial Conference of European Society for the Cognitive Sciences of Music (ESCOM), 2009. Abstract
(2009).
Scale Degree Profiles from Audio Investigated with Machine Learning.
Audio Engineering Society Convention. Abstract
(2004).
Sound Texture Synthesis with Hidden Markov Tree Models in the Wavelet Domain.
Sound and Music Computing Conference. Abstract
(2010).
Sparse Coding for Drum Sound Classification and its Use as a Similarity Measure.
3rd International Workshop on Machine Learning and Music (MML’10) at ACM Multimedia 2010 . Abstract
(2010).
Spectrum of Pitch Differences Models the Perception of Octave Ambiguous Tones.
International Computer Music Conference. 274-276. Abstract
(2001).
Toroidal models of inter-key relations in tonal music.
VI. International Conference on Systematic and Comparative Musicology. Abstract
(1999).
Unsupervised Generation of Percussion Sound Sequences from a Sound Example.
Sound and Music Computing Conference. Abstract
(2010).
Unsupervised Incremental Learning and Prediction of Audio Signals.
International Symposium on Music Acoustics. Abstract
(2010).
An Unsupervised System for the Synthesis of Variations from Audio Percussion Patterns.
7th International Symposium on Computer Music Modeling and Retrieval (CMMR). 277-278. Abstract
(2010).
What/when causal expectation modelling in monophonic pitched and percussive audio.
NIPS-Workshop Music, Brain, & Cognition. Abstract
(2007).
Correspondence analysis for visualizing interplay of pitch class, key, and composer.
( , Ed.).Perspectives in Mathematical and Computational Music Theory. 432-454. Abstract
(2004).
Unendlichkeit - Konstruktion akustischer Paradoxien.
( , Ed.).Mikrotöne und mehr – Auf György Ligetis Hamburger Pfaden. 39-80.
(2005).
Unsupervised Analysis and Generation of Audio Percussion Sequences.
( , Ed.).Exploring Music Contents. 6684, 205-218.
(2011).