Biblio

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Martorell, A., & Gómez E. (2014).  Systematic multi-scale set-class analysis. 15th International Society for Music Information Retrieval (ISMIR) Conference. Abstract
application/pdf iconSystematic multi-scale set-class analysis.pdf
Harte, C., Sandler M., Abdallah S., & Gómez E. (2005).  Symbolic Representation Of Musical Chords A Proposed Syntax For Text Annotations. Abstract
Salamon, J., Gómez E., & Bonada J. (2011).  Supplementary Graphs: Sinusoid Extraction and Salience Function Design for Predominant Melody Estimation.
application/pdf iconSGB_Graphs.pdf
Guaus, E., & Gómez E. (2005).  Storage and Retrieval of relevant information from music master classes. 36th conference of the International Association of Sound and Audiovisual Archives (IASA). Abstract
Serrà, J., Gómez E., Herrera P., & Serra X. (2008).  Statistical analysis of chroma features in western music predicts human judgments of tonality. Journal of New Music Research. 37(4), 299-309. Abstract
Miron, M. (2018).  Source Separation Methods for Orchestral Music: Timbre-Informed and Score-Informed Strategies. Department of Information and Communication Technologies. 299. Abstract
Gómez, E., & Herrera P. (2006).  The song remains the same identifying versions of the same piece using tonal descriptors. Abstract
Salamon, J., Gómez E., & Bonada J. (2011).  Sinusoid Extraction and Salience Function Design for Predominant Melody Estimation. Proc. of the 14th Int. Conference on Digital Audio Effects (DAFx-11). 73-80. Abstract
application/pdf iconSalamonGomezBonada_DAFx11.pdf
Bogdanov, D., Haro G. G., Fuhrmann F., Xambó A., Gómez E., & Herrera P. (2013).  Semantic audio content-based music recommendation and visualization based on user preference examples. Information Processing & Management. 49(1), 13-33. Abstract
application/pdf iconbogdanov-IPM2013.pdf
Miron, M., Carabias-Orti J. J., Bosch J., Gómez E., & Janer J. (2016).  Score-Informed Source Separation for Multichannel Orchestral Recordings. Journal of Electrical and Computer Engineering. 2016, Abstract
application/pdf icon8363507.pdf
R
Serra, X., Magas M., Benetos E., Chudy M., Dixon S., Flexer A., et al. (2013).  Roadmap for Music Information ReSearch. Abstract
application/pdf iconMIRES-Roadmap.pdf
Gomes, L., Gómez E., & Moreau N. (2001).  Resynchronization methods for audio watermarking. Abstract
Q
Gómez, E., Streich S., Ong B., Paiva R. P., Tappert S., Batke J. M., et al. (2006).  A Quantitative Comparison of Different Approaches for Melody Extraction from Polyphonic Audio Recordings. Abstract
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Gómez, E., Cañadas F., Salamon J., Bonada J., Vera P., & Cabañas P. (2012).  Predominant Fundamental Frequency Estimation vs Singing Voice Separation for the Automatic Transcription of Accompanied Flamenco Singing. 13th International Society for Music Information Retrieval Conference (ISMIR 2012). Abstract
application/pdf iconMTGUJA-ISMIR2012-FINAL.pdf
Peterschmitt, G., Gómez E., & Herrera P. (2001).  Pitch-based Solo Location. Abstract
Gómez, E., Grachten M., Hanjalic A., Janer J., Jordà S., Julià C. F., et al. (2013).  PHENICX: Performances as Highly Enriched aNd Interactive Concert Experiences. SMAC Stockholm Music Acoustics Conference 2013, SMC Sound and Music Computing Conference 2013.
application/pdf iconPHENICX-smac2013-6.0.pdf
Durand, N., & Gómez E. (2001).  Periodicity Analysis using An Harmonic Matching method and Bandwise Processing. Abstract
Ramirez, R., Maestre E., Pertusa A., Gómez E., & Serra X. (2007).  Performance-based Interpreter Identification in Saxophone Audio Recordings. IEEE Transactions on Circuits and Systems for Video Technology. 17, 356-364. Abstract
O
Meléndez-Catalán, B., Molina E., & Gómez E. (2019).  Open Broadcast Media Audio from TV: A Dataset of TV Broadcast Audio with Relative Music Loudness Annotations. Transactions of the International Society for Music Information Retrieval (TISMIR). 2(1), 43-51. Abstract
Schedl, M., Gómez E., Trent E., Tkalcic M., Zadeh H. E., & Martorell A. (2017).  On the Interrelation between Listener Characteristics and the Perception of Emotion in Classical Orchestra Music. IEEE Transactions on Affective Computing. Abstract
M
Sarasúa, Á. (2017).  Musical Interaction Based on the Conductor Metaphor. Department of Information and Communication Technologies. Abstract
Slizovskaia, O., Gómez E., & Haro G. G. (2017).  Musical Instrument Recognition in User-generated Videos using a Multimodal Convolutional Neural Network Architecture. ACM International Conference on Multimedia Retrieval. Abstract
application/pdf iconpostprint
Salamon, J., Rocha B., & Gómez E. (2012).  Musical Genre Classification using Melody Features Extracted from Polyphonic Music Signals. IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). Abstract
application/pdf iconSalamonRochaGomezICASSP2012.pdf
Haro, G. G., Xambó A., Fuhrmann F., Bogdanov D., Gómez E., & Herrera P. (2010).  The Musical Avatar - A visualization of musical preferences by means of audio content description. 5th Audio Mostly Conference: A Conference on Interaction with Sound. Abstract
application/pdf iconavatar_AM2010.pdf
Porcaro, L., Castillo C., & Gómez E. (2019).  Music recommendation diversity: a tentative framework and preliminary results. 20th annual conference of the International Society for Music Information Retrieval (ISMIR). Abstract
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