Biblio

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Jordà, S. (2006).  The reacTable. International Conference on Computer Graphics and Interactive Techniques, ACM SIGGRAPH.
Jordà, S. (2007).  Interactivity and Live Computer Music. (Nick Collins, Julio d'Escrivan, Ed.).The Cambridge Companion to Electronic Music. 312. Abstract
Jordà, S. (2008).  On Stage: the Reactable and other Musical Tangibles go Real. International Journal of Arts and Technology. 1(3/4), 268-287. Abstract
Jordà, S., Gómez-Marín D., Faraldo Á., & Herrera P. (2016).  Drumming with style: From user needs to a working prototype. 16th International Conference on New Interfaces for Musical Expression. 365-370.
Jordà, S. (2010).  The Reactable : Tangible and Tabletop Music Performance. CHI 2010: 28th ACM Conference on Human Factors in Computing Systems. 2989-2994 . Abstract
Jordà, S. (2007).  The reactable. (Polotti, P., Rocchesso, D., Ed.).Sound to Sense, Sense to Sound – A state of the art in Sound and Music Computing. 490. Abstract
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Gómez-Marín, D., Jordà S., & Herrera P. (2017).  Drum rhythm spaces: from global models to style-specifc maps. 13th International Symposium on Computer Music Multidisciplinary Research (CMMR). 80-91.
Gómez-Marín, D. (2018).  Similarity and Style in Electronic Dance Music Drum Rhythms. Department of Information and Communications Technologies. Abstract
Gómez-Marín, D., Jordà S., & Herrera P. (2015).  PAD and SAD: Two awareness-weighted rhythmic similarity distances. 16th International Society for Music Information Retrieval (ISMIR) Conference. Abstract
Gómez-Marín, D., Jordà S., & Herrera P. (2016).  Rhythm Spaces. 4th International Workshop on Musical Metacreation (MUME 2016). Abstract
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