Note: This bibliographic page is archived and will no longer be updated. For an up-to-date list of publications from the Music Technology Group see the Publications list .

Biblio

Filters: Author is Sergi Jordà
2018
Nuanáin, C. Ó. (2018). Connecting Time and Timbre: Computational Methods for Generative Rhythmic Loops in Symbolic and Signal Domains . Department of Information and Communication Technologies. 257. Abstract
Faraldo, Á. (2018). Tonality Estimation in Electronic Dance Music: A Computational and Musically Informed Examination . Department of Information and Communication Technologies. 234. Abstract
Gómez-Marín, D. (2018). Similarity and Style in Electronic Dance Music Drum Rhythms . Department of Information and Communications Technologies. Abstract
2017
Faraldo, Á. , Jordà S. , & Herrera P. (2017). A Study of Tonal Practises In Electronic Dance Music . Ninth European Music Analysis Conference . Abstract
Gómez-Marín, D. , Jordà S. , & Herrera P. (2017). Drum rhythm spaces: from global models to style-specifc maps . 13th International Symposium on Computer Music Multidisciplinary Research (CMMR). 80-91.
Nuanáin, C. Ó. , Jordà S. , & Herrera P. (2017). k-Best Hidden Markov Model Decoding for Unit Selection in Concatenative Sound Synthesis . International Symposium on Computer Music Multidisciplinary Research.
Faraldo, Á. , Jordà S. , & Herrera P. (2017). The House Harmonic Filler: Interactive Exploration of Chord Sequences by Means of an Intuitive Representation . Third International Conference on Technologies for Music Notation and Representation. Abstract
Faraldo, Á. , Jordà S. , & Herrera P. (2017). A Multi-Profile Method for Key Estimation in EDM . AES International Conference on Semantic Audio. Abstract
Nistal, J. , Herrera P. , & Jordà S. (2017). Exploring the spontaneous expression of human finger-tapping . 2nd Conference on Computer Simulation of Musical Creativity. Abstract
Nuanáin, C. Ó. , Herrera P. , & Jordà S. (2017). Rhythmic Concatenative Synthesis for Electronic Music: Techniques, Implementation, and Evaluation . Computer Music Journal. 41 (2), 21-37.
2016
Gómez-Marín, D. , Jordà S. , & Herrera P. (2016). Rhythm Spaces . 4th International Workshop on Musical Metacreation (MUME 2016). Abstract
Nuanáin, C. Ó. , Jordà S. , & Herrera P. (2016). Towards User-Tailored Creative Applications of Concatenative Synthesis in Electronic Dance Music . 4th International Workshop on Musical Metacreation (MUME 2016). Abstract
Faraldo, Á. , Gómez E. , Jordà S. , & Herrera P. (2016). Key Estimation in Electronic Dance Music . 38th European Conference on Information Retrieval. 335-347. Abstract
Jordà, S. , Gómez-Marín D. , Faraldo Á. , & Herrera P. (2016). Drumming with style: From user needs to a working prototype . 16th International Conference on New Interfaces for Musical Expression. 365-370.
Turquois, C. , Hermant M. , Gómez-Marín D. , & Jordà S. (2016). Exploring the Benefits of 2D V isualizations for Drum Samples Retrieval . ACM on Conference on Human Information Interaction and Retrieval 2016. 329-332. Abstract
Nuanáin, C. Ó. , Jordà S. , & Herrera P. (2016). An Interactive Software Instrument for Real-time Rhythmic Concatenative Synthesis . 16th International Conference on New Interfaces for Musical Expression (NIME 2016). 383-387. Abstract
Vogl, R. , Leimeister M. , Nuanáin C. Ó. , Jordà S. , Hlatky M. , & Knees P. (2016). An Intelligent Interface for Drum Pattern Variation and Comparative Evaluation of Algorithms . Journal of the Audio Engineering Society. 64 (7/8), 503-513.
Nuanáin, C. Ó. , Herrera P. , & Jordà S. (2016). An Evaluation Framework and Case Study for Rhythmic Concatenative Synthesis . 17th International Society for Music Information Retrieval Conference (ISMIR 2016). 67-72. Abstract
Mealla, S. , Jordà S. , & Väljamäe A. (2016). Physiopucks: Increasing User Motivation by Combining Tangible and Implicit Physiological interaction . Transactions on Computer-Human Interaction (TOCHI). 23 (1), Abstract
Gómez-Marín, D. , Jordà S. , & Herrera P. (2016). Strictly Rhythm: Exploring the Effects of Identical Regions and Meter Induction in Rhythmic Similarity Perception . ( Kronland-Martinet R. , Aramaki M. , Ystad S. , Ed.). Music, Mind, and Embodiment. CMMR 2015. 449-463.
2015
Nuanáin, C. Ó. , Herrera P. , & Jordà S. (2015). Target-Based Rhythmic Pattern Generation and Variation with Genetic Algorithms . Sound and Music Computing Conference 2015. Abstract
Gómez-Marín, D. , Jordà S. , & Herrera P. (2015). PAD and SAD: Two awareness-weighted rhythmic similarity distances . 16th International Society for Music Information Retrieval (ISMIR) Conference. Abstract
Gómez-Marín, D. , Jordà S. , & Herrera P. (2015). Strictly Rhythm: Exploring the effects of identical regions and meter induction in rhythmic similarity perception . 11th International Symposium on Computer Music Multidisciplinary Research, CMMR 2015. Abstract
Gallardo, D. (2015). Expanding tangible tabletop interfaces beyond the display . Information and Communication Technologies. 194. Abstract
Gómez-Marín, D. , Jordà S. , & Herrera P. (2015). Evaluating rhythm similarity distances: The effect of inducing the beat . Rhythm production and perception workshop. 57.
Julià, C. F. , & Jordà S. (2015). Towards Concurrent Multi-Tasking in Shareable Interfaces . Journal of Computer Supported Collaborative Work. 25,
2014
Jordà, S. , & Mealla S. (2014). A Methodological Framework for Teaching, Evaluating and Informing NIME Design with a Focus on Expressiveness and Mapping . 14th International Conference on New Interfaces for Musical Expression. 233-238. Abstract
Xambó, A. , Roma G. , Laney R. , Dobbyn C. , & Jordà S. (2014). SoundXY4: Supporting Tabletop Collaboration and Awareness with Ambisonics Spatialisation . 14th International Conference on New Interfaces for Musical Expression. 40-45. Abstract
Mealla, S. , Oliveira A. , Marimon X. , Steffert T. , Jordà S. , & Väljamäe A. (2014). The Role of Personalization and Multiple EEG and Sound Features Selection in Real Time Sonification for Neurofeedback . International Conference on Physiological Computing Systems.
2013
Gallardo, D. , & Jordà S. (2013). SLFiducials: 6DoF markers for tabletop interaction . Proceedings of the 2013 ACM international conference on Interactive tabletops and surfaces.
Gómez, E. , Grachten M. , Hanjalic A. , Janer J. , Jordà S. , Julià C. F. , et al. (2013). PHENICX: Performances as Highly Enriched aNd Interactive Concert Experiences . SMAC Stockholm Music Acoustics Conference 2013, SMC Sound and Music Computing Conference 2013.
Julià, C. F. , Jordà S. , & Earnshaw N. (2013). GestureAgents: An Agent-Based Framework for Concurrent Multi-Task Multi-User Interaction . TEI 2013. Abstract
Gallardo, D. , Julià C. F. , & Jordà S. (2013). Using MTCF for live prototyping on tablet and tangible tabletop devices . TEI.
Väljamäe, A. , Mealla S. , Steffert T. , Holland S. , Marimon X. , Oliveira A. , et al. (2013). A Review Of Real-Time Eeg Sonification Research . The 19th International Conference on Auditory Display (ICAD-2013).
Serra, X. , Magas M. , Benetos E. , Chudy M. , Dixon S. , Flexer A. , et al. (2013). Roadmap for Music Information ReSearch . Abstract
Xambó, A. , Laney R. , Dobbyn C. , & Jordà S. (2013). Video analysis for evaluating music interaction: musical tabletop . ( Holland, S. , Ed.). Music and Human-Computer Interaction.
2012
Bosi, M. , & Jordà S. (2012). Towards fast multi-point force and hit detection in tabletops using mechanically intercoupled Force Sensing Resistors . NIME'12. Abstract
Villafuerte, L. , Markova M. S. , & Jordà S. (2012). Acquisition of Social Abilities Through Musical Tangible User Interface: Children with Autism Spectrum Condition and the Reactable . CHI'12. 745-760. Abstract
Catala, A. , Jaen J. , van Dijk B. , & Jordà S. (2012). Exploring tabletops as an effective tool to foster creativity traits . Proceedings of the Sixth International Conference on Tangible, Embedded and Embodied Interaction. 143–150.
Xambó, A. , Laney R. , Dobbyn C. , & Jordà S. (2012). Towards a taxonomy for video analysis on collaborative musical tabletops . BCS HCI 2012 Workshop on Video Analysis Techniques for HCI.
2011
Xambó, A. , Laney R. , Dobbyn C. , & Jordà S. (2011). Multi-touch interaction principles for collaborative real-time music activities: towards a pattern language . International Computer Music Conference.
Mealla, S. , Väljamäe A. , Bosi M. , & Jordà S. (2011). Listening to Your Brain: Implicit Interaction in Collaborative Music Performances . The International Conference on New Interfaces for Musical Expression (NIME). Abstract
Julià, C. F. , Gallardo D. , & Jordà S. (2011). MTCF: A framework for designing and coding musical tabletop applications directly in Pure Data . New Interfaces for Musical Expression. 457-460. Abstract
Mealla, S. , Väljamäe A. , Bosi M. , & Jordà S. (2011). Sonification of Brain and Body Signals in Collaborative Tasks Using a Tabletop Musical Interface . International Conference on Auditory Display (ICAD). Abstract
Mealla, S. , Väljamäe A. , Bosi M. , & Jordà S. (2011). Let Me Listen to Your Brain: Physiology-based Interaction in Collaborative Music Composition . Brain and Body Interfaces Workshop. ACM CHI Conference on Human Factors in Computing Systems. Abstract
Mealla, S. , Väljamäe A. , & Jordà S. (2011). Implicit Interaction in Collaborative Music Performances . FutureBNCI. 1.
Molina, P. , Haro G. G. , & Jordà S. (2011). BeatJockey: A new tool for enhancing DJ skills . New Interfaces for Musical Expression (NIME). 288-291. Abstract
Carrascal, J. , & Jordà S. (2011). Multitouch interface for audio mixing . New Interfaces for Musical Expression, NIME.
2010
Jordà, S. , Hunter S. , Pla P. , Gallardo D. , Leithinger D. , Kaufman H. , et al. (2010). Development strategies for tangible interaction on horizontal surfaces . Tangible Embedded and Embodied Interaction. Abstract
Gallardo, D. , & Jordà S. (2010). Tangible Jukebox: Back to palpable music . Tangible Embedded and Embodied Interaction. Abstract
Jordà, S. (2010). The Reactable : Tangible and Tabletop Music Performance . CHI 2010: 28th ACM Conference on Human Factors in Computing Systems. 2989-2994 . Abstract
Jordà, S. , Julià C. F. , & Gallardo D. (2010). Interactive surfaces and tangibles . XRDS: Crossroads, The ACM Magazine for Students. 16 (4), 21-28. Abstract
Geiger, G. , Alber N. , Jordà S. , & Alonso M. (2010). The Reactable: A Collaborative Musical Instrument for Playing and Understanding Music . Her&Mus. Heritage & Museography. 36-43. Abstract
2009
Gallardo, D. , Julià C. F. , & Jordà S. (2009). Turtan: Un lenguaje de programación tangible . ( AIPO , Ed.). Interacción 2009. Abstract
Julià, C. F. , & Jordà S. (2009). SongExplorer: a tabletop application for exploring large collections of songs . 10th International Society for Music Information Retrieval Conference. Abstract
2008
Jordà, S. (2008). On Stage: the Reactable and other Musical Tangibles go Real . International Journal of Arts and Technology. 1 (3/4), 268-287. Abstract
Jordà, S. (2008). Tecnologies digitals and Creació musical en viu / El reactable . Fora de l’Equilibri.
Gallardo, D. , Julià C. F. , & Jordà S. (2008). TurTan: a Tangible Programming Language for Creative Exploration . Third annual IEEE international workshop on horizontal human-computer systems (TABLETOP). Abstract
2007
Jordà, S. (2007). Interactivity and Live Computer Music . ( Nick Collins , Julio d'Escrivan , Ed.). The Cambridge Companion to Electronic Music. 312. Abstract
Jordà, S. (2007). Models to produce and share music over the Internet. The M.O.D.E.M. model . M.O.D.E.M. Music open distance exchange model.
Jordà, S. (2007). The reactable . ( Polotti, P. , Rocchesso, D. , Ed.). Sound to Sense, Sense to Sound – A state of the art in Sound and Music Computing. 490. Abstract
Jordà, S. , Geiger G. , Alonso M. , & Kaltenbrunner M. (2007). The reacTable Exploring the Synergy between Live Music Performance and Tabletop Tangible Interfaces . Conference on tangible and embeded interaction. Abstract
2006
Jordà, S. (2006). The reacTable . International Conference on Computer Graphics and Interactive Techniques, ACM SIGGRAPH.
Jordà, S. , & Alonso M. (2006). Mary had a little scoreTable* or the reacTable* goes melodic . New Interfaces for Musical Expression (NIME). Abstract
Janer, J. , Bonada J. , & Jordà S. (2006). Groovator - an implementation of real-time rhythm transformations . Abstract
Kaltenbrunner, M. , Jordà S. , Geiger G. , & Alonso M. (2006). The reacTable* A Collaborative Musical Instrument . Abstract
2005
Jordà, S. (2005). Digital Lutherie Crafting musical computers for new musics' performance and improvisation . Department of Information and Communication Technologies. Abstract
Jordà, S. (2005). Instruments and Players Some thoughts on digital lutherie . Journal of New Music Research. 33, Abstract
Bencina, R. , Kaltenbrunner M. , & Jordà S. (2005). Improved Topological Fiducial Tracking in the reacTIVision System . Abstract
Jordà, S. (2005). Multi-user Instruments Models, Examples and Promises . Abstract
Jordà, S. , Kaltenbrunner M. , Geiger G. , & Bencina R. (2005). The reacTable* . Abstract
2004
Jordà, S. (2004). Software, Arte, Sociedad . Cyberart: Desafíos para la identidad ubicua.
Jordà, S. (2004). Digital Instruments and Players Part II: Diversity, Freedom and Control . International Computer Music Conference. Abstract
Jordà, S. (2004). Digital Instruments and Players Part I – Efficiency and Apprenticeship . Abstract
Kaltenbrunner, M. , Geiger G. , & Jordà S. (2004). Dynamic Patches for Live Musical Performance . Abstract
Alonso, M. , Geiger G. , & Jordà S. (2004). An Internet Browser Plug-in for Real-time Audio Synthesis . Abstract
2003
Jordà, S. (2003). Reactable Kick Off .
Jordà, S. (2003). Interactive music systems for everyone exploring visual feedback as a way for creating more intuitive, efficient and learnable instruments . Abstract
Jordà, S. (2003). Sonigraphical Instruments From FMOL to the reacTable* . Abstract
2002
Jordà, S. (2002). FMOL Toward User-Friendly, Sophisticated New Musical Instruments . Computer Music Journal. 26, pp 23-39. Abstract
Jordà, S. (2002). Improvising with Computers A Personal Survey (1989-2001) . Journal of New Music Research. 31, pp 1-10. Abstract
Jordà, S. (2002). Afasia the Ultimate Homeric One-man-multimedia-band . Abstract
2001
Wüst, O. , & Jordà S. (2001). Architectural Overview of a System for Collaborative Music Composition over the Web . International Computer Music Conference. 298-301. Abstract
Jordà, S. , & Barbosa A. (2001). Computer Supported Cooperative Music Overview of research work and projects at the Audiovisual Institute - UPF . Abstract
Jordà, S. , & Wüst O. (2001). FMOL A System for Collaborative Music Composition over the Web . Abstract
Jordà, S. (2001). Improvising with Computers A Personal Survey (1989-2001) . Abstract
Jordà, S. (2001). New Musical Interfaces and New Music-making Paradigms . Abstract
1999
Jordà, S. (1999). Faust Music On Line (FMOL) An approach to Real-time Collective Composition on the Internet . Leonardo Music Journal. 9, 5-12. Abstract
Jordà, S. (1999). Internet. Cap a Noves Formes d'entendre la Creació Musical? . Revista Musical Catalana. 1,
1998
Jordà, S. , & Aguilar T. (1998). FMOL a graphical and net oriented approach to interactive sonic composition and real-time synthesis for low cost computer systems . International Conference on Digital Audio Effects (DAFX). Abstract
Jordà, S. (1998). La computadora-ahorra-técnicos... y algo más . Virtualia. México D.F..
1997
Jordà, S. (1997). Guía Monográfica del Audio Digital y el MIDI . Anaya Multimedia. 336.
1996
Jordà, S. (1996). EPIZOO cruelty and gratuitousness in real virtuality .
1991
Jordà, S. (1991). A Real-Time MIDI Composer and Interactive Improviser by Means of Feedback Systems . Abstract